For a vast majority of photographers, their story starts when they first pick up a camera.  Ours’ came a bit later; when we first picked up a flash gun.  For some of us, it was seeing the work of Richard Sandler or Bruce Gilden, the raw style of Weegee, for others it was Martin Parr’s super-color that pushed us toward flash.  The idea to form a group came organically, a non-exclusive group, a camaraderie to further our individual crafts.

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